I'm an award-winning composer, engineer and historian of technology. I present talks, make radio shows and perform live with Spacedog - my band of humans, theremins and uncanny robots.
The Pod Delusion is a fine, weekly podcast about science, skepticism and other interesting things. And this week, I’ve contributed a short piece on the phonograph – a taster of my talk at the Fortean Times Unconvention. You can hear it on the Pod Delusion site from Friday morning (11 November 2011).
The 7 minute piece starts with some curious words used by Florence Nightingale as she laid down her voice on a wax cylinder for the first time in 1890.
Exciting news! After several years playing exclusively live, Spacedog are releasing our first album. It’s called Juice for the Baby and it’ll be available as a download and on CD from mid-December 2011.
On 12 November, I’m delighted to be joining experts on the sasquatch, hermeticism and Gef the Talking Mongoose at the The Fortean Times Unconvention. Jon Ronson will be talking about The Psychopath Test, Jan Bondeson will be discussing some canine intellectuals and Gail-Nina Anderson will be presenting her popular history of the Egyptian mummy.
I’ll explore some of the stranger obsessions of the early adopters of sound recording as I immortalise a voice from the audience by recording it on wax, using an original Edison Standard Phonograph. I’ll also discuss a little-known sound recording method, one which was used to bring popular music into the home, 150 years before the phonograph. And I’ll reveal some outlandish experiments with radio, from the early 1920s, as I play some live aether music on the theremin, accompanied by fellow Spacedog Stephen Hiscock and Hugo, my ventriloquial sidekick.
Six months ago, I came face to face with a machine I’d read about often but never expected to see. A one-off invention, this oddity had been a dreamlike presence in my life, hovering into my consciousness at unexpected moments, something I imagined but couldn’t fully sketch in my mind. I’d dreamed of it since I was ten, a time when I was obsessing over a cassette tape my dad had given me. On it were some electronic sounds he’d recorded from the radio – sound pieces composed by the BBC Radiophonic Workshop.
I’m taking my theremin, phonograph and robot pal Hugo to Manchester in March for QED, a two day festival of skepticism and popular science. There are some fine speakers on the bill, Maryam Namazie, Steve Jones, Ophelia Benson, David Aaronovitch and Robin Ince among them.
I’ll be exploring some of the stranger obsessions of early adopters of sound recording as I immortalise a voice on wax, using an original Edison phonograph. And I’ll be delving into the archives to reveal a bizarre, long-forgotten recording method that was used to bring music into the home 150 years before the phonograph.
This week, the BBC World Service programme Click (aka Digital Planet and Go Digital) is celebrating its tenth anniversary and producer Colin Grant invited Spacedog to play a few tunes on the live birthday show. You can hear what happened in this podcast and see some great photos by Paul Clarke. A possible case of ventriloquism on the radio: Hugo also appeared in one of our pieces, channelling the voice of our good friend Professor Elemental.
It was fascinating and just a little terrifying to take part in a live recording, knowing it was being beamed to 25 million listeners worldwide.
On 3 September, Brighton is hosting its first Maker Faire – a festival of inventions and the hackers, makers and artists who create them. And I’m hosting what I hope will be the perfect after-show party. Do come!
I'm performing live at the Lovebytes Festival, Sheffield, QEDCon, Manchester, and the Catalyst Club, Brighton, and composing music for CE3K-inspired Electronic Encounters and some other forthcoming collaborations (stay tuned for news). I'm also hard at work, re-engineering some Spacedog robots, and selecting films for Rocket Lolly, Spacedog's two-hander with Project Moonbase at the Edinburgh Science Festival in April.
News: January 2012
Juice for the Baby, Spacedog's debut album, is here! I'm ducking out of the Kinetica Art Faire this year but am huddled indoors, writing, sleuthing (investigating a recording in the archives) and devising a new biologically-inspired musical instrument - all will be revealed soon.
News: December 2011
Juice for the Baby, Spacedog's debut album, launches in mid-December. Join us for the launch gigs at the Marlborough, Brighton, on 9 December and the Horse Hospital, London, on 14 December.
News: November 2011
A busy month writing and editing the forthcoming Spacedog album - stay tuned for news.
News: October 2011
I'm focusing on my writing this month (so am quite the hermit) but I'm squeezing in the occasional live performance here and there.
I'm looking forward to working with Helen Keen in her Spacetacular on 20th. I'm writing a code-based work for the new label Chordpunch and some owlish music for that fine wordsmith Professor Elemental.
Spacedog are booked into the studio at the end of the month to complete work on our album.
News: September 2011
A busy month writing, preparing a get-together of maker musicians for the Brighton Maker Faire After-show party. I've also been electrifying a teapot for the Chi-Tek - an exhibition by MzTek of female tech artists at the V&A. And with my fellow Spacedog Stephen Hisock, I made an appearance on the 10th Anniversary edition of BBC Click.
News: August 2011
The Spacedog song For Laika is now available on iTunes (and the album is on its way). Meanwhile, we've been busy preparing our set for Green Man, including the first outing of our torch song for Tommy Cooper.
I'm procrastinating over a teapot which I'm going to electrify for a MzTek event at the Victoria and Albert Museum in September.
I took a short trip to a very rainy Edinburgh Fringe where I played at an event for Edinburgh Skeptics in the Royal Observatory and made some plans for a Spacedog show next summer.
Apart from that, I've been busy writing. More news on that shortly, I hope...
News: July 2011
I'm interviewed by Leila Johnston in this month's Wired UK magazine and will be appearing with my fellow Spacedogs at a Wired: The Future of Music on 20 July.
I've rounded up a bumper crop of links and soundclips for my BBC Radio 4 doc The Bird Fancyer's Delight, which is broadcast on 5 and 9 July and is also available on Listen Again. Thanks for all your cheery emails about the doc, to ProjectMoonbase for mentioning it in their podcast PMB038 and for the many national papers who gave the documentary such lovely reviews - I'm glad people enjoyed it! On Sunday 10 July, the doc was featured on Graham Seed's Pick of the Week (Radio 4). A good week!
My latest collaboration with Richard Wiseman is a free and fun magic trick for your iPhone. It's called Paranormality and it's been put together for the launch of his book by the same name in the US. Thanks to Phillis on Derrren Brown's blog for giving the app a mention - thousands of people have now downloaded it and are busy bamboozling their friends.
News: June 2011
Playing theremin for Louise Colborne's homage to Loie Fuller (pioneering cybernetic dancer c1900) and composing sounds for Sonus, an homage to the analogue age with Spacedog, ArtHertz, Rushes Soho Shorts Festival and Ridley Scott Associates. Discovering how easy (or difficult) it is to publicise events in 2011 without Twitter - will report back!
Getting ready for BEAM - a brand new festival of electronics and music at Brunel University (24-26 June). I'll be speaking, running a workshop on optical flow and performing live with my fellow Spacedogs. I'll also be playing a short theremin set at the Speaky Spokey, a new arts salon in Brighton (Wed 22 June).
Putting the finishing touches to a sonic-themed BBC Radio 4 documentary, with producer Neil McCarthy, due for transmission on 5 July 2011.
Presenting a workshop for Hack Circus at Interesting, in the Conway Hall, London, 18 June, and performing theremin at a family day at the Science Museum, 19 June.
