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Winner:
Best Music Event
Brighton Festival and Fringe
2011.

Sounds from Sarah Angliss:

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Latest events

View all forthcoming and recent events.

Aberdeen: British Science Festival

Cornwall: The Odditorium @Port Eliot

Edinburgh: Rocket Lolly

Sheffield: Lovebytes Festival

Brighton: Radio City Theatre

Brighton: Rocket Lolly (open rehearsal)

Manchester: QED - science and skepticism conference

London W1: The Event

London: The Double R Club

Brighton: Brighton Science Festival

Brighton: Catalyst Club TV Pilot

London: Nine Lessons and Carols for Godless People

Song for Tommy Cooper @ The Green Man Festival

Spacedog are packing our bags for the Green Man Festival this weekend (19 – 21 August in the Brecon Beacons). And we’ll be adding a new number to our set: a torch song for flawed genius Tommy Cooper. Here’s a sneak preview of the lyrics before the song has its first public outing on the Solar Stage of Einstein’s Garden, Friday 19 April:

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Laika – some happy endings for the space dog

Just before I released the Spacedog song For Laika on iTunes and Amazon, the writer James Burt showed me this wonderful set of comic strips, depicting alternative, happy endings for the dog. They’ve been drawn by Nick Abadzis, creator of the graphic novel, Laika, which tells the story of the dog and her fate.

Phantom Circuit had already sent me the first strip, where you see Laika eject from Sputnik II and parachute into the hands of her trainer. Other endings involving alien intelligences and canine superpowers. The happy endings were sponsored by Big Planet Comics in Washington DC who are celebrating their 25th birthday – you can also see them all on the Bleeding Cool website.

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Friends, followers and humble pie?

Yep, I’m one big heap of indecision. Two months after my diatribe against Twitter, and a few weeks after deleting my account, I’m back on the infernal thing. But I’m pleased to say it’s in a rather different fashion, this time around.

Firstly, there’s reach. I’m mainly using it to keep in touch with a few real-world friends, largely through DMs. To this is added the odd festival contact and favourite podcasters, geeks and bloggers who share common interests and update their friends and listeners via Twitter. I’m using an alias as I’m using Twitter to staying in touch these people rather than hawk my work.

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Spacedog at BAFTA

Three photos of Spacedog’s afternoon at BAFTA, where my performance on theremin was enhanced by a gorgeous psychedelic lightshow, created by artist Julian Hand. The lighting effects were all created live, in 1960s fashion, using physical odds and ends. The speckles you can see in this black-and-white photo were created by passing light through a colander. Out of shot is Stephen on bells and Jenny and Hugo the robotic vent doll on vocals.

Our performance was for the London Short Film Festival, curated by Rushes and Soho Shorts. We were there to accompany a session by Arthertz and Ridley Scott Associates, who  were showing their new short film, Sonus.

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Spacedog to perform at Wired: The Future of Music

WIRED: The Future of Music is an evening of music, sonic inventions and talks, exploring where the music industry may be heading. Following my feature in this month’s Wired magazine, Spacedog will be playing a short set at this event at the Hospital Club, London, 20 July. I’ll report back with news of other performers on the bill – it sounds like an interesting night!

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Adrift with the Sawchestra (for Shoreditch Festival)

This weekend, I played with a gaggle of fellow saw players and other artists from Foz Foster’s Sawchestra. Foz hired a barge along the Regent’s Canal, London, and we climbed aboard, performing to anyone who wanted to go adrift with us for 15 minutes. I had a lovely day extemporising with the other musicians, dodging the rainstorms and meeting this marvellous, inflatable arthropod.

This event was for Shoreditch Festival, a day celebrating East London’s waterways across towpaths, green spaces, basins, bridges and other unusual spaces along the Regent’s Canal.  Our event was sponsored by the Barbican, London. I performed on saw, waterphone and some of Foz’ toy instruments. I also brought along a hydrophone so we could add some live sounds from below the waterline.

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