Vault: New Music for Silent Gothic Films
I was joined for this production by fellow musicians Bela Emerson (‘cello), Stephen Hiscock (percussion), Paul Snowdon (aka Time Attendant) and vocalist Jenny Angliss. Working with Stuart Brown, Programmes Director, and Bryony Dixon, curator of silent film, we selected around a dozen, rarely seen treasures from the vaults and accompanied them live on the BFI stage. The films, all made before 1930, mixed romance with ancient ruins, witchcraft, transfigurations and many other gothic tropes. A personal highlight was the opportunity to compose an electroacoustic score for Webber and Watson’s 1928 expressionist masterpiece The Fall of the House of Usher. This was performed live on vocals, theremin, bells, spinet and electronics.
Jon Brooks also joined us in spirit, contributing a pre-recorded electronic score for Segondo du Chomon’s stencil coloured cinematic trip La légende du fantôme. The evening was directed by Emma Kilbey.
Thanks to the PRS for Music Foundation for making this project possible via an Individual Award for composition. We’d also like to thank the BFI for taking us on and giving us their considerable support. Vault was one of a series of live music events for Gothic film, produced by the BFI in association with The Wire magazine.
Thanks to Gaynor Perry for these photos of setup and rehearsal:
PRSF for Music Foundation is the UK’s leading funder of new music across all genres, supporting an exceptional range of new music activity–from composer residencies and commissions to festivals and showcases in the UK and overseas.