Music, robots and mechanical hats at Bom-Bane’s, Thursday 13 May 2010

uncanny valley News of an extra date at the Brighton Festival Fringe:

Spacedog are teaming up with Jane Bom-Bane, maestro with mechanical hats, and multi-instrumentalist Nick Pynn for a very unusual music night at Bom-Bane’s, Brighton, 13 May 2010.

Expect plenty of delightful, musical surprises from your hosts Jane and Nick.

We’ll be adding some musical highlights from our new show uncanny valley -  songs that probe our very human fears of the almost human, from zombies to ventriloquists’ dummies. There will be musical robots, moving hats and songs of love, death and the uncanny as we explore the darkest reaches of your mind. Compered by Hugo, the disembodied ventriloquist’s doll.

Venue

8:00pm
Thursday 13 May 2010
Bom-Bane’s
Brighton
Tickets (£7.50(£6) – on sale from the venue or the Brighton Festival Fringe box office)

Uncanny Valley – Brighton Fringe 2010

Uncanny Valley

Wolfgang, Spacedog

Spacedog are teaming up with Professor Elemental to bring you a delightfully unsettling evening, probing our very human fears of the almost human, from zombies to ventriloquists’ dummies. Accompanied by our home-spun musical robots, we’ll be singing songs of love, death and the uncanny as we explore the darkest reaches of your mind. With theremins, taxidermy and strange automata.

Click on the thumbnails on this page to see high-res images.

Venue

8:00pm and 9:40pm (show lasts 75 minutes)
5 May 2010
Marlborough Theatre
Brighton
Tickets (£8/£7 -- on sale soon from Brighton Festival Fringe)

Professor Elemental

Professor Elemental

Sarah Angliss (Spacedog) on theremin

Sarah Angliss (Spacedog) on theremin

Spacedog with Clara 2.0 (photo Melita Dennet)

Spacedog with Clara 2.0 (photo Melita Dennet)

The badgermingo - the results of one of Prof. Elemental's taxidermy experiments

The badgermingo - the results of one of Prof. Elemental's taxidermy experiments

Clara 2.0 the theremin-playing robot doll

Clara 2.0 the theremin-playing robot doll

Clara 2.0 will be playing theremin in the show -- see an early video of Clara 2.0 in action.

An early test with Hugo -- the 1930s singing vent doll.

Professor Elemental singing Cup of Brown Joy

Press

Click on the thumbnails on this page to see high-res images.

For more information about this Brighton Fringe show, please contact Sarah Angliss (Spacedog): sarah [dot] spacedog [at] gmail [dot] com. Read more about Spacedog shows, robots and reviews on this website. Hear more of Elemental’s work on his MySpace site.

Ealing Feeder – new exhibit at the Kinetica Art Fair 5-7 February 2010

Juice for the Baby

I’ll be showing off the latest version of my carillon (automatic bell-playing rig) at the Kinetica Art Fair, P3 Gallery, 23 Marylebone Road, London, 5-7 February 2010. You’ll find me on the ArtHertz’ stall Electricity and Ghosts, which gives a sneak preview of our upcoming live show at Battersea Power Station.

Here, it will be playing an electric lullaby, inspired by a delightfully unsettling poem I discovered on the pages of The Electric Age (Vol 1, 1930), a pioneering gadget magazine published by the Electrical Association for Women. The words of the lullaby are inscripted on the piece, along with fragments of domestic circuitry from the time.

I’ll be posting images of the new carillon in a week or so – it features a new figure which may interest anyone who has enjoyed watching my other  robotic dolls in action. The words Ealing Feeder come from the control room of Battersea Power Station, which provided London with electricity during the boom years of the fossil fuel age.

Talking 8-bit music and robots at Shift Run Stop

Here’s the trailer video – you can hear the whole interview here:


If you’re into computer games, electronic music or other geekery, you might be interested in Shift Run Stop, a new weekly podcast from Leila Johnston and Roo Reynolds. There are different guests every week – you can hear them talking to Adam Curtis, Maggie Philbin, Ariane Sherine, Dave Schneider and many others.

Episode 9 features 8-bit sound artist extraordinaire Paul B Davis discussing NES cartridge reprogramming and cassette tape DJing, and me talking about robots, clogs and infrasound. Resident snack expert Dave Green also gives a lay person’s overview of farmyard animals in chocolate.

I had a great time at Shift Run Stop and was really struck by the common ground between Paul and me. I’m dying to enter a cassette tape DJ-off (if that’s what you call it) and am already respooling my Klaus Wunderlich.

Robotic bells

This is the Mk III robotic bell rig, designed to make it easier to take the bells to venues -- earlier versions saw the bells inside a shed or scattered around a gallery, in dozens of separate boxes. Here, I’ve mounted them on an old shop fitting, salvaged by Vivien Angliss from a place in Bedfordshire that was closing down.

The Mk III bells had their first outing in the Malborough Theatre’s inaugural Steampunk night (Brighton -- curated by Tarik Elmoutawakil). I’ve also taken them to the Gasworks Gallery, Vauxhall (for a Resonance FM night, curated by Ed Baxter) and to a Spacedog night at the Freebutt, Brighton. I’ve been using them quite a bit in my own compositions for bells, saw, theremin and vocals. But here’s a video of the bells playing a classic -- it’s Troika, from Prokovief’s Lieutenant Kije. Over the next few weeks, I’ll endeavour to post more videos of the bells in action.

Technical notes

The bells are being percussed by servo-driven, spring-mounted beaters. These are controlled by a LynxMotion SSC-32 servo control board, which is receiving serial signals from Max/MSP.  As you can see, the springs make the beaters remarkably responsive -- they can even tackle the odd semiquaver. See also the Mk I version of the bells, in Swinging London -- my automaton show for the South Bank Overture Weekend.