Over the last few months, I’ve been collaborating with Punchdrunk, the marvellous encounter theatre company, to make a very unusual multimodal effect – one that mixes emerging ideas in perception with a one-on-one theatrical encounter.

I’ll be revealing more about the nature of this effect in a few months, when some formal studies are complete. However, I can reveal we’ve piloted the effect – and have had some encouraging feedback – and have already used it (tentatively) in the recent Punchdrunk show: It Felt Like a Kiss. This show is a documentary, the form of a promenade piece, was devised by Punchdrunk in collaboration with documentary maker Adam Curtis (featuring music from Damon Albarn). It Felt Like A Kiss was created in summer 2009 for the Manchester International Festival.

I’ve created some music for contortionist Delia DuSol, who will be bending her body into some extraordinary poses and squeezing herself into a tiny perspex box at Richard Wiseman’s first night of Inexplicable Acts, Thursday 12 Feb. This season of shows at the Wellcome Trust will explore the psychology and physiology of circus performers’ bodies, including the sword swallower, the juggler and the exceptionally flexible Delia.

The theremin AV controller is a device I’ve created to scrub audio and video samples live, using the pitch and volume aerials of the theremin. Here’s a video of it in action, manipulating samples from the Hammer classic The Devil Rides Out.