A tourable, large-scale video triptych of The Machinery, created by Sarah Angliss, Caroline Radcliffe and video artist John Harrison in 2018. This project was supported using public funding by Arts Council England.
A live perfomance with high-resolution stills from Brighton Rock on film, celebrating the seventieth anniversary of Brighton Rock in Brighton’s most popular cinema. This incorporated
Some reflections on noise and 1920s modernity, as expressed in Eugene O’Neill’s ‘The Hairy Ape’. This includes some archival discoveries about early performances. These notes were made after I’d composed a score for a new production of the play and contributed to the Science Museum research forum ‘Noise, Music and Silence’.