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  • Down to the Silver Sea

    Guest spots and other early work

    Sarah Angliss A composer working with ancient instruments, electronics and robotics. Performs live and creates music for film and theatre. Albums and 7" single Guest spots and other early work A selection…
  • Album: Ealing Feeder (2017)

    Ealing Feeder (2017)

    Sarah Angliss A composer working with ancient instruments, electronics and robotics. Performs live and creates music for film and theatre. Album Ealing Feeder You Taught Me How to See the Crows Sarah…
  • Air Loom

    Air Loom (2019)

    Sarah Angliss A composer working with ancient instruments, electronics and robotics. Performs live and creates music for film and theatre. Album Air Loom BUY AIR LOOM "a world where human and acoustic…
  • Paul Hamlyn Award for composers

    In November 2018, I was honoured to receive a composer’s award from the Paul Hamlyn Foundation. I’m so grateful to the Foundation and the judges for their generosity and encouragement. This award…

  • Giant – work in progress

    Score in development Update September 2019 I’m spending autumn and winter 2019/2020 drafting the score for Giant. Thanks to funding from the Paul Hamlyn Foundation I’m on schedule to complete the score…

  • Loie Fuller, c1902

    Fuller’s dance reimagined

    A theremin performance for a new interpretation of Loie Fuller butterfly dance, created by dancer Louise Colborne.

  • Ealing Feeder – album track details

    Sarah Angliss A composer working with ancient instruments, electronics and robotics. Performs live and creates music for film and theatre. Ealing Feeder track details [01] You Taught Me How to See the…
  • The Machinery at AlgoMech, Sheffield

    A video of a performance of The Machinery at AlgoMech, Sheffield (with dancer Caroline Radcliffe). Video by Jon Harrison. This was an ad hoc video and give a great view of the…

  • Sonakinatography – Raven Row, London

    A realisation of an algorithmic score by systems artist Channa Horwitz who used paint, pencil and paper to precisely map out mathematically rich instructions for dance, light and music.

  • Giant - Sarah Angliss

    Giant

    New opera in development In 2016, I was delighted to be awarded a Jerwood Opera Writing Fellowship for a new chamber opera, Giant, based on the life, death and contentious afterlife of…

  • Fort Process

    Fort Process is a one day festival of sound and art, responding to the history and acoustics of Newhaven Fort, a labyrinthine coastal defence overlooking the English Channel. I’ll be joining musicians…

  • The Fall of the House of Usher (Webber and Watson, 1928)

    Gothic at the BFI

    An evening of live music for silent gothic treasures from the BFI National Archive. Performed at the BFI, Southbank, for the nationwide season Gothic – The Dark Heart of Film, this event included an electroacoustic score for Webber and Watson’s 1928 expressionist masterpiece The Fall of the House of Usher.