It Felt Like a Kiss – visceral sound effect

It Felt Like a Kiss: visceral sound effect

Manchester International Festival of Theatre

In a short collaboration in 2009, I worked with Punchdrunk, the encounter theatre company, to research a novel multimodal effect – one that mixed tactile transducers with infrasonics to create a visceral deep bass sound, something the audience would feel rather than hear.

From my own experiments (including an earlier musical collaboration, 2003), I’d say (tenatively!) that infrasound creates a slight sense of ‘electricity’ or ‘aliveness’ in the air – sensations we might associate with feelings of awe or underlying dread. It can subtly alter the mood in a room, without the audience being aware of its presence.

We piloted the effect in The Arcola space and deployed it tenatively in the Punchdrunk show: It Felt Like a Kiss. This promenade piece, was devised by Punchdrunk and documentary maker Adam Curtis (featuring music from Damon Albarn). It Felt Like A Kiss was created in summer 2009 for the Manchester International Festival.

Sub-bass, submarine

I returned to tactile transducers and low-frequencies in 2014 when I reanimated HMS Alliance with a multichannel, generative sound piece. Alliance is the UK’s last-surviving World War II era submarine. If you go into the engine room of the submarine, you’ll experience a powerful sense of the original diesel engines which shake the floorplate of the submarine – just as they would have done when the submarine was underwater.

Photo credit here