A composer working with ancient instruments, electronics and robotics.
Performs live and creates music for film and theatre.
Amulet, a contained horror, is the first feature film directed by Romola Garai who also wrote the film’s screenplay. I’ve created a score for this film mixing female voices with ancient instruments and electronics. This film is currently in post-production – further details and release date coming soon.
An evening of live music for silent gothic treasures from the BFI National Archive. Performed at the BFI, Southbank, for the nationwide season Gothic – The Dark Heart of Film, this event included an electroacoustic score for Webber and Watson’s 1928 expressionist masterpiece The Fall of the House of Usher.
Music and foley for a live reimagining of John Wyndham’s science fiction masterpiece. An event for Cinecity Festival 2014, in partnership with Film Archive South East, for the BFI season Sci Fi – Days of Fear and Wonder.
A live performance celebrating 70 years of John and Roy Boultings’ acclaimed 1947 adaptation of Graham Greene’s novel Brighton Rock. This incorporated instruments and voices recorded onto vinyl by Aleks Kolkowski using methods reminiscent of the unforgettable ‘record your own record’ booth at the heart of the book and the film.
Music to accompany infrasonic terrors, smoking robots, mind control experiments, time and motion studies, space age fashions and other visions of the future on film. This show includes two astounding films from the UK archives. One is a vision of the future (1955) created in 1935. The other is a strangely prescient film from the 1960s, predicting a world where everyone’s secrets are stored on a giant, global computer network.